One, Two, Three | Karlovy Vary 2016
The good thing is, it needs not much to do street photography: Open eyes, a camera of any kind, a step out of your apartment and you have your subjects and objects to shoot. Obviously everyone can do this. The bad thing is, everyone does it. Have a look at the social media platforms. Zillions of people are shooting strangers in public areas, labeling their pictures with “street photography” and tagging them with fancy phrases, because it’s “en vogue”. But very often the photographs look like a pure scan of reality – randomly, boring and irrelevant, pimped by post processing. No composition, no idea, no story is behind them. The output seems to be nothing more than digital noise in a community of wannabe-photographers. Maybe that’s why the New York-based Canadian writer and photographer Micheal Ernest Sweet pointed out last year: Street Photography Has No Clothes (referring to the fairy tale “The Emperor’s New Clothes”).
