This year in street photography has been different for me than the three years before. No workshops, no photowalks with others and only a few planned street shootings. Most of the photographs where shot coincidentally, but I trained my skills and had more keepers per shooting. And strolling through the city is a pure joy and a remedy for dark moments.
Processed with VSCO with b4 preset
Processed with Blackie
I’m still interested in candid pictures of strangers but I’m also experimented with geometrical forms. Still processing more photographs in black and white, still digital but with an analog attitude. As a compensation I took a lot of travel and nature photographs.
I like my two mirrorless Fuji cameras but I realized, that I took most of my pics with my smartphone. It’s an unobtrusive, tiny little workhorse with a lab included, available at any time. It’s the easiest way to process my black and white pictures using the app Blackie. Technically spoken I don’t need much more than this combo.
I took part in competitions (like last year), won nothing (like last year) but experiences and got professional feedback. For next year I planned a small exhibition of my work. I’m grown with my pictures and I think, I have a few keepers to show, just for fun.
Very often the Alexanderplatz is overcrowded and has a touch of a funfair. But sometimes you find some tranquillity. I like these pictures obove, they weren’t planned. The moments aren’t really decisive but moments in time.
We have a word in German – Weltanschauung – literally for seeing the world, but in the meaning of philosophy of life or ideology. The point is: To know and understand the world, you have to see the world. The best way to do this, is to travel. It’s an expensive affair, but you ‘ve got to spoil yourself sometimes.
Scooter behind Sagrada Familia
Two weeks ago I traveled to Barcelona, three days for exploration, rest and relaxation.
When Olivier Ficco from strassenfotos asked me that question last year, I couldn’t answer first. “Best memory” isn’t the same like “best picture”. If he had asked for the last, the answer wouldn’t have been much easier. Is it sharp, well composed, vibrant, contrasty? Is it often viewed, liked or commented at my Instagram or Flickr stream? Regardless of the content and the technical quality I like pictures, wich tell a story about the subject or the photographer itself. For every photo I’ve taken on the streets is a story – a memory – behind.
The first weekend last month in Berlin was springtime for a day or two. The streets, cafés and hotspots where overcrowded with people. A perfect opportunity for taking pictures. So I grabbed my camera, backup-camera, batteries and hit the streets.
I am reaching out to certain website and blog owners that publish content in line with our mission to make all the world’s art accessible to anyone. We hope to continue promoting arts education and accessibility with your help.
Last week I bought a fantastic book with photographs by Fred Herzog. This German-born and Vancouver-based photographer is known for his street photography in color at a time, when mostly black-and-white images where commonly accepted as art. I first came to his work about three years ago and was very impressed by his pictures about daily life in Vancouver.
Sometimes I turn my head away from happy people, full of envy. How can they be so happy and why I’m not. Where is my happiness, how can I get it back? In those moments I feel like I’m the unhappiest guy on earth.
2016 was year number three in shooting in the streets for me. Again I discovered and learned a lot. In January I met the famous street photographer Thomas Leuthard at a photo walk in Berlin at -3°C. I took only a few pictures because I had to ask and talk too much, but it was a great experience to meet and talk to other street photographers.
When I go thru online street photography galleries, I mostly find titles or image captions only with place and date like “New York, 2016”. Eric Kim told me in a workshop, that this approach is more documentary, chronicle and professional. The idea behind this: A picture in (street) photography has to „speak“ for itself. Instead of finding his own story a certain title could direct a viewer to a story, that only the photographer has seen.